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| I'm praying to Tim Tebow that somebody will take me on |
Hey everybody!
Yesterday I talked about my decision to start querying agents for Cardboard Characters. Today I'm going to tell you a little bit more about what the process has been like, now that I've made that decision.
So, let's begin at the beginning. First I wrote a query letter. A query letter, if you don't know, is kind of like the writer's equivalent of a cover letter. In a query, you give a brief (emphasis on brief) summary of your book, sort of like what you'd put on the dust jacket of your book. You try to catch the agent's interest. You also talk a little bit about yourself, especially if you have any previous work published or have some special experience that makes you in expert in what you're writing about. Writing the letter was fairly easy for me because I've done it before, so I just tweaked one of the old letters I had. Maybe it's a bad idea to use the same letter but...I like this one, so I'm sticking to it.
Then I started researching agents. I like to start by looking up who represents the writers I enjoy and admire, or whose work I feel is similar to mine. This information is fairly easy to find. I just look in the acknowledgments in the back of a book! Strangely enough, I also think it's really useful to find agents on Twitter. Finding one can also lead you to another, thanks to the handy "similar to this person" feature, and Twitter also gives you a sense of the agent's personality. I also find
this blog, which profiles agents, enormously helpful.
Then came the annoying part - I had to go to their agency's website and figure out what exactly they're looking for and what their submission requirements are. I would just like to take this opportunity to ask the agencies of the world to maybe make their websites a bit more user-friendly. I consider myself a pretty tech-savvy person, but even I had a hard time finding the information I needed on some of these sites. PLUS, all the agents have different submission requirements. Some want just a letter, some want a letter and ten pages, or fifty, some have special forms that you have to use. Whew!
Also, it can sometimes be hard to figure out what the agents are looking for. Now, some agents are very specific, and they put their areas of interest in big bold letters, and I must give them props for that. Also, I find it extremely helpful when agents list what writers they enjoy or who would be their "dream clients." Those specific examples give me an instant idea of what they're looking for. What is not helpful, however, is when agents say they're looking for "great writing" or "fresh material." Um, isn't that what everyone is looking for? I'm pretty sure there aren't many agencies out there that represent terrible writing and boring stories. Those kind of vague phrases just aren't very helpful, but they are ever-present on the web...so if you're thinking about querying: you've been warned. However, when I see something like that, I just go ahead and query them, as long as they represent YA. The worst they can say is no. (It also helps to Google them and try to find out a little bit more about them. See if they have a blog or Twitter account!)
Other things that drive me crazy: Agencies that don't have websites. Or that only accept snail mail queries. What!?! What century are they living in? I don't even know how to use the post office. (Just kidding. But seriously.)
But really, for the most part, the experience has been...well, not pleasant, but not miserable. Many of the agents are very accessible and give you a clear idea of what they're looking for. I started out by querying a rather large number of agents, and then after I had done that, I saw
this blog post about how querying a bunch at once is not recommended. Whoops. I did not, however, query any agency that required a synopsis, only because I haven't written one up and am lazy. I'll probably save those agencies for later, if I need them.
I have not heard back from many of them yet, which doesn't help with my compulsive email checking. At the time of this posting, I've mostly been rejected. Rejection doesn't bother me too much. I know it's all part of the game. We've all heard the stories: J.K. Rowling and Stephanie Meyer and Suzanne Collins were all rejected a bunch of times, and now they're laughing all the way to the bank. (But seriously, can you imagine if you were the one who said no? I'd be kicking myself.) Also, when an agent rejects me, I just tell myself that it's probably because they're not taking many clients or because they already have something similar on their list. Maybe this is a lie, maybe they think the writing is terrible, but it makes me feel better, and what does it really matter as long as I accept the basic fact that they've said no? Sometimes it's better not to agonize over people's motives, because you really just never know.
But I would be lying if I said I didn't feel bad about rejection sometimes. The worst is when you get rejected by an agent who was one of your top choices, or whose opinion you really respect. I also have this fear that I'm going to end up being one of those crazy writer stories. Like, I can just picture the agent having a drink with his swanky New York friends and yukking it up about the awful query they got that day (mine), and being all "Oh, you'll never
believe what I read today."
However, at the time of this posting, one agent is reading my full manuscript, which makes me super excited but also super nervous. I don't think I should say who, but it's someone I really admire and an agency that I would love to work with. I mean, really. Really. BUT sometimes people still reject you after they read the full manuscript. It has happened to me before. So I'm trying not to get my hopes up. As I said before, rejection is part of the game.
Even so, I still believe that I'll get published someday, and maybe that's crazy but hey. I know it will take a lot of work and a lot of rejection, but I think someday, if I keep trying, someone will say yes. It's just a matter of finding the right fit (I hope). And then when they make the movie about my life, this will be the part where I overcome adversity and prove them all wrong, with heroic music playing in the background.
Anyway, if I do end up getting a solid offer of representation, I probably won't say anything about it on here until the contract is signed and it's all official. But maybe I won't wait that long. I don't know. We'll see! But let's not get ahead of ourselves. For now, I'll just sit here refreshing my inbox...
PS. If you want to know more about querying, feel free to leave questions in comments or get in touch with me. There are also about a billion blogs online about agents and querying, many of them written by agents themselves. I would recommend
KidLit, which is written by agent Mary Kole and is helpful even if you're not planning on writing for children. You can use the search tool on the side to look for posts about querying and agents. I've also heard that a lot of people like
this blog, also run by an agent, although I don't read that one myself.